Hey everybody,
great news!
My transition is in progress ... and it feels like a second birth. I am so f*cking grateful for this opportunity.
In terms of music I have been productive ... and, yes ... visible changes here, too.
Arrangement/style of tracks and - of course - pitch and quality of my vocals have changed. Had to adjust the requirements for recording/producing a great deal. *har!
So, folks, two new productions have just gone live on the various streaming-platforms!
Check out #Apple Music, #Spotify, #Tidal, #Amazon ... for :
1. Epics & Experimentals ... as title suggests you'll find an emotional fusion of dark ambient, neoclassic and electronic elements ... check it out here ...
and
2. "Glimpses into Twilight" ... meet my new voice, vocals and vibes ... check it out here ...
Blessed be ... keep rocking!
Text and CD-Cover-Designs © Wotan Beißwenger, 4th of April 2022.
Discography for reference:
-
A Requiem for our Dead. Cause Trans-Life matters (Single) 2021
-
Black Sea White Bones (Single) 2021
Archiv (Blog bis 1. Juli 2021)
Neoclassical Experimental: The Return of the Old Ones ... real Cello/Synth ... |
So ... almost ten days with my new cello-fellow ... of course I practice every day ... I am in love, what else can I do?
This is another composition livicated to H.P. Lovecraft: The Old Ones are returning ... do you see dead Cthulhu awakening, crawling out of the waters with his crumpy entourage ....?
Anyhow ... I had written the original version of this piece two days before I picked up my cello from Roland Erichson. Notes and lyrics.
But then ... the Old Ones creeped in and the composition evolved into another direction. Muses! .... *argx.
The vocal version with the original arrangement you will find here.
So this one took me "a while" ... composed and played several tracks and parts real cello ... then arranged some synth-parts around the real cello sections ... do you recognize "which is which" ... *harhar (hope you do)?
⇒ Audio
Please note and respect: Composition, real Cello & Synth, recording/arrangement/mix/master © Ann-Uta Beißwenger 6th of March 2021
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