I am in transition ... finally ... YES!
Reorganizing, reshaping, re-creating my body, my mind, my Self ... my life ...
It's an adventure, a journey ... with open end and destination ...
But one thing I know for sure ... music will stay forever ...
I am amidst taking my music compositions to the next level,
working towards a portfolio for TV and streaming-platforms ...
A happy and exciting New Year everyone!
Keep on rocking!
Wotan Beißwenger, New Year Eve 2022.
Discography for reference:
A Requiem for our Dead. Cause Trans-Life matters (Single) 2021
Black Sea White Bones (Single) 2021
Shamanic Experimental: The Forest of Golden Amber ... Shamanic Drumming/Vocals/Synth ...
Some guys keep on asking, what I did to and with my drums .... Hey, guys, they are still with me and yes, they do feel just a bit deserted ... The reason behind is, that I still have some trouble to mix/master these traditional instruments in combination with "others", such as synths, as they are interacting and interfering with EQing and dynamics like comp and limiter in a very "special" (= rather unpredictable and stubborn) way ... But of course I won't give up on this, 'cause I am stubborn myself, YES! So here comes one of those current works/attempts ... hope you enjoy ....
Remastered 11th of May: So ... I've finally (?) arrived at a mastering "compromise": I love the Imager and EQing of Ozone ... especially if you are crazy about weird delays and reverbs ( ... ahem ... ), Ozone is great to deal with the different layered reverb-spaces .... But sometimes I need to tame Ozone to meet the loudness-requirements and my own visions of dynamics. This works perfectly with Logics mastering-tools (yes, one can set loudness-targets with Ozone, but I just don't like the resulting sound(s) and intensities ... got my own visions of which parts of a composition "should" be louder/more intense and which shouldn't).
Please note and respect: Composition, lyrics, all instruments and vocals, arrangement/mix/master © Ann-Uta Beißwenger 2020
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